The film opens at sea, in a storm. A fisherman hauls in an ornate box and after prising it open finds a baby boy and his dead mother. He and his wife raise this child as their own, loving him just as much as their flesh and blood daughter, whom they bear some years later. We know this because Pete Postlethwaite tells us so. This boy, Perseus, does not know it, but he is a demi-god, the son of Zeus himself. And he is about to get caught up in a conflict between humanity and the Gods of Ancient Greece.
I was a bit uncertain about this film. It sounded just a bit too heart-warming, as though it’d be full of overly sentimental “and everything works out in the end” stuff that makes me think of the flawed philosophy behind stories such as The Pursuit of Happyness:””:http://www.susanhatedliterature.net/2007/01/18/the-pursuit-of-happyness/, you know the sort of victim blaming that says you wouldn’t be poor if only you tried harder.
Luckily enough this film is not like that. Okay, it has the heart-warming aspect. Heart-warming by the bucket-full. But it is told in such a way that you just can’t help but smile.
This is a terrible film. Terrible. And the really annoying thing is that it has virtually no redeeming qualities. Yes Heath can be nice to look at, but his “phwoar” manner of speaking here is totally off-putting. The basic plot involves Casanove being chased by the Inquisition for his various conquests and libertine lifestyle. The Doge does his best to