Category: Moving Pictures

In Bruges dir. by

Ray and Ken are two Irish hit-men hiding out after a job. Hiding out in Bruges on orders from their boss, Harry. Ken is all set to relax and enjoy the medieval scenery and architecture. Visit the castles and churches. Harry says it is like fairy tale, coming in on the canal. Ray isn’t so sure of that, but when he comes upon a film shot he is much more interested.

There Will Be Blood dir. by

It is hard to know how to describe this film. It is more of a character study than a story. Of course there is some plot, an oilman and his desire to suceed, but the story isn’t too important. What is important is the character of Daniel Plainview, as played by Oscar winning Daniel Day-Lewis.

The opening scenes show just how driven Daniel is. We watch him, working on his own, in a mine. No dialogue at all for around 15 minutes, just this man in a hole, digging, dynamiting up the earth, falling down the hole, injured and yet still having the drive to pull himself out of that hole and struggle back into town to get his bit of dirt evaluated.

Juno dir. by

Juno is 16. And pregnant. At first she thinks she’ll have an abortion, but changes her mind, she’ll continue to be pregnant but she isn’t interested in being a Mommy. She’ll...

I am legend [based on the book] by dir. by

After the end of the world as we know it Robert Neville lives in New York. All alone apart from his dog, Sam, he drives around hunting deer, chatting to mannequins and going through the stock of a local video store. He also makes sure to be home and locked away by the time night comes. Because at night the rest of the survivors come out. And they aren’t so friendly.

Enchanted dir. by

Enchanted is the story of Giselle, who meets her true love, Prince Edward after he rescues her from a troll. Or maybe an ogre. But before they seal their relationship with...

Hotel Rwanda dir. by

This is a film with impact.

The opening voice-over is a speech on the radio, an anti-tutsi speech, broadcast on Hutu Power radio, over a black screen so as to really let us hear the words. It describes the flaws, reveals the prejudices in Rwanda, tells the viewer of the cockroach infestation the Hutu people will have to wipe out. This is then contrasted by the opening scenes; In Kigali airport we see Paul (Cheadle) collecting fresh lobsters to serve in the hotel where he works as house manager. It shows a bustling, growing, on the up city. But on the way back to the hotel we are introduced to the undercurrent of tension that is played out so well throughout this film.