Aug 25 2006

We need to talk about Kevin

Published by Fence under Books

Author: Lionel Shriver
ISBN: 1852424672
DDC: 813.54
See also: Library Thing; Orange Prize winner 2005; The Guradian

Dear Franklin,
I’m unsure why one trifling incident this afternoon has moved me to write to you. But since we’ve been separated, I may most miss coming home to deliver the narrative curiosities of my day, the way a cat might lay mice at your feet: the small, humble offerings that couples proffer after foraging in separate backyards.

Just before his 16th birthday Kevin Khatchadourian murders 9 people; 7 students at his high school, a teacher and a worker in the cafeteria. This is Eva’s, his mother’s version of his life. Of her life prior to Kevin’s birth and how her son changed her life. Told through letter to her husband, Franklin, the novel reveals all her thoughts and suspicions. And how the aftermath of the killings have utterly transformed her life, and who she is.

I’ve mentioned before that I’m not a huge fan of first person narratives. Too often they can be a lazy way of writing. And it is all too easy for the author to include to much detail, or too little. Here, however, it works well. We meet Kevin at his birth and get to see him grow and develop as a person, until that fateful Thursday. And because we are aware of what will happen, as is Eva, she pays special attention to clues that might have alerted her. Anything that might have tipped her off.

Continue Reading »

Tags: 813.54, 9 Stars, biased pov, death, diary, first person narrator, Lionel Shriver, mass shootings, murderer, school shootings, unreliable narrator, We Need To Talk About Kevin, well-written

Related posts

11 responses so far

May 12 2006

The Magician

Published by Fence under Moving Pictures

Dir & Writ: Scott Ryan
starring

  • Scott Ryan - Ray Shoesmith
  • Ben Walker - Tony Rickards
  • Massimiliano Andrighetto - Max “Massimo” Totti
  • Kane Mason - Benny
  • [Nathaniel Lindsay - Edna

Image Hosted by ImageShack.usThis is the story of Ray, who for the right money can make anyone disapear. Although it isn’t magic he uses, not unless you count a count as a wand. He is a hitman, working in Melbourne, and this documentary style film recounts a few of his jobs. The condition imposed on film-maker Max is that he won’t release the film until after Ray’s death.

It is a strange film, but very enjoyable. The style is used to allow Max to question Ray about his actions. To have an outsider looking in wondering can Ray tone down the violence, or how much would he want in order to eat his own shit. Did I forget to mention this is a comedy?

The focus of the film is all on Ray. The rest of the characters are just their to provide him with something to interact with. And Max, the cameraman is never shown un-pixelated on screen, to protect his identity from the police no doubt. And Scott Ryan gives an excellent performance as the almost charming hitman. His sense of timing is perfect and his delivery of the lines is spot-on. Of course he did write and dirct it, so he should know everything about this character, but it is still a wonderful role.

It is almost a buddy road movie, with Ray, Max and a possible target traveling across Australia to locate some money. There is a great discussion about Wayne Carey and whether sleeping with your vice-captain’s wife could ever be regarded as merely a mistake. Probably more likely to turn out to be a cult hit than a blockbuster, if yuo get the chance you should try to catch this film.

IMDb | Future Movies | Sever Jam Damage | Talking Pish | The Scotsman

Tags: Australia, Ben Walker, black humour, crime, excellent film, hitman, Kane Mason, Massimiliano Andrighetto, mockumentary, murderer, Nathaniel Lindsay, Scott Ryan, The Magician

Related posts

One response so far

Mar 28 2006

Alias Grace

Published by Fence under Books

DDC: 813.54
read with Historical Favorites
Author: Margaret Atwood

First line:
Out of the gravel there are peonies growing.

Based on the true story of Grace Marks, an infamous murderer in Canada in the 1840’s, Atwood’s book uses different narrators to tell the story, as well as interspersing the story with extracts from other works. From poems, fiction, newspapers of the time, and other sources. Although this is based on the real story, Atwood has, of course, fictionalised a great deal of the novel.

The two narrators are Grace herself, who tells her story in the first person, past tense, and Simon Jordan, the doctor investigating her claims of insanity or innocence. His parts are told by a third person narrator, and are in the present tense.

These shifts in perspective, combined with the extracts, give a wider sense of the story, as well as letting us get to know the characters, and not just from their own viewpoint. the also allow us to see how each truly views the other:

although like most gentlemen he often wants a thing to mean more than it does”

Grace herself comes across as a very self-contained woman, calm and prudish. She has been in prison and the asylum for many years, so maybe it is not surprising that she be slightly strange. But despite that fact that she tells her own story we are never given one truth. Grace herself doesn’t seem to know what happened, but is this true, or is she just fooling herself?

and she said I was a treasure and she hoped they would never let me out of prison, as she would like me always to be there to help her with her dresses- Which I suppose was a compliment of a sort

Simon is an almost perfect example of the outward respectability of life in the 1800’s, while his wandering thoughts allow us glimpses of darker thoughts.

This is a very readable, enjoyable book. Atwoods gives us some very descriptive passages eg Grace’s journey as a child traveling from Ireland to Canada. And these balance the slightly unknowable reality that lies behind the story.

Behind it is the graveyard, neat and green, the dead kept under firm control. No rambling weeds here, no tattered wreaths, no jumble and confusion; nothing like the baroque efflorescences of Europe. No angels, no Calvaries, no nonsense. heaven, for the Presbyterians, must resemble a banking establishment, with each soul tagged and docketed and placed in the appropriate pigeonhole.


Quotes:

It is always a mistake to curse back openly at those who are stronger than you unless there is a fence between

because once the horse was out of the stable it was no good shutting the barn door, and a woman once on her back was like a turtle in the same plight, she could scarcely turn herself right side up again, and was fair game for all”

The truth is that very few understand the truth about forgiveness. It is not the culprits who need to be forgiven; rather it is the victims, because they are the ones who cause all the trouble. If they were only less weak and careless, and more foresightful, and if they would keep from blunderinf into difficulties think of all the sorrow in the world that would be spared

Tags: 1840s, 813.54, 9 Stars, Alias Grace, based on true story, C19th, Canada, diary, excellent, first person narrator, Grace Marks, group read, Historical Favorites, historical fiction, Margaret Atwood, multiple narrators, murderer, reread

Related posts

2 responses so far