Posts Tagged ‘1970s’

16
May

A Fine Balane

   Posted by: Fence   in Books

Image of A Fine BalanceAuthor: Rohinton Mistry
ISBN: 057123058x DDC: 813.54
See Also: LibraryThing ; Oprah’s Discussion ; BlogCritics ; Simon and Janet’s blog

Dina Dalal seldom indulged in looking back at her life with regret or bitterness, or questioning why things had turned out the way the way they had, cheating her of the bright future everyone had predicted for her when she was in school, when her name was still Dina Shroff.

I’m not really sure where to begin with this review. This is a big book, both in the amount of pages and in the amount of ground it covers. Set in an un-named city in India during the State of Emergency after India’s founding it deals with four main characters whose lives intersect in the house of Dina Dalal who hires two tailors and rents out a room to a young student in an attempt to keep her independence.

Each character gets a chance to backtrack and tell their story; Dina’s is one of love and then grief as her husband is killed in a road accident, and then of her desire to remain independent of her over-bearing older brother. Ishvar and Om are two Hindi tailors who have travelled to the city to make their fortune and escape the caste system of their home village. Maneck is the student lodger whose family lost much of their fortune during the Partition.

Read the rest of this entry »

Tags: 1970s, 813.54, 9 Stars, A Fine Balance, Booker Prize nominee, corruption, historical fiction, India, India - 1970s, Oprah pick, poverty, Rohinton Mistry, sterilization

Related posts

17
Jun

Zodiac

   Posted by: Fence   in Moving Pictures

Dir: David Fincher
Writ: James Vanderbilt, based on the book by Robert Graysmith
Image Hosted by ImageShack.us

  • Jake Gyllenhaal … Robert Graysmith
  • Mark Ruffalo … Inspector David Toschi
  • Anthony Edwards … Inspector William Armstrong
  • Robert Downey Jr. … Paul Avery
  • Brian Cox … Melvin Belli

This is based on the true story of a serial killer in the 1970’s in California who highlighted his murders with cryptic letters to newspapers. He killed at random, and called himself The Zodiac, and wrote his letters in a code. He also often sent bloodstained items of clothes along with these letters as a sort of proof. He was never caught. Robert Graysmith was working as a cartoonist at one of the newspapers where the letters arrived, and became caught up in the case. The film is based on his book of the events of the time.

Read the rest of this entry »

Tags: 1970s, Anthony Edwards, based on book, Brian Cox, California, crime, David Fincher, Jake Gyllenhaal, Mark Ruffalo, murde, police, Robert Downey Jr., Robert Graysmith, serial killer, true crime, Zodiac

Related posts

20
Jun

El Lobo (Wolf)

   Posted by: Fence   in Moving Pictures

Dit: Miguel Courtois
Writ: Antonio Onetti

  • Eduardo Noriega …. Txema
  • José Coronado - Ricardo
  • Mélanie Doutey - Amaia
  • Silvia Abascal - Begoña
  • Santiago Ramos - Pantxo
  • Patrick Bruel - Nelson

Photobucket - Video and Image Hosting
In the 1970’s, as Franco’s dictatorship of Spain was slowly coming to an end, Txema finds himself getting involved with some Basque terrorists. In the middle of the night some ETA members show up at his door, and, friends with one, he allows them stay the night. As he chats with them he discovers that they are out to kill an informer. A man that Txema knows, a local taxi driver. Feeling guilty, Txema leaves a warning note on the Taxi, but it comes to late, and in the aftermath of the murder Txema is arrested.

And the Spanish secret service want to use him as an undercover agent. At first he refuses, but financial pressure, and the collapse of his business mean that he turns back to the police. It is suggested, but never said that it was police intervention that lead to his financial problems.

The rest of the film details Txema’s life with ETA as a mole, with the code name Lobo.

When I headed into the cinema, I had no idea what I wanted to watch, and this was on at just the right time, so despite not knowing anything about it, I decided to go see it. And I’m glad did. I know very little about Spain’s recent history, so it was interesting to see this film. The film opens with Txema running through the streets, carrying a gun, clearly fleeing the police. We have no idea who he is, or what is going on. but through flashbacks Txema’s backstory is revealed.

The acting is all great, you get a clear picture of Txema as uncertain and unsure through much of the film. He is doing what he thinks is right, but he doesn’t know if it is. And as he gets closer and closer to the leadership of ETA he can clearly sympathise with their positions, if not their methods. But although politics are clearly the driving force behind this film, they aren’t really investigated. Maybe I should say they are never overtly investigated, but the actions of both sides are shown. Both the terrorists and the police seem equally as violent as each other. This of course makes Noriega allt he more sympathetic, he is caught between both worlds.

Overall I enjoyed this film, it is well paced and keeps you entertained, and although over 2 hours doesn’t feel that long.

IMDb | Empire

Tags: 1970s, 9 Stars, Antonio Onetti, Eduardo Noriega, El Lobo, fascism, José Coronado, Mélanie Doutey, Miguel Courtois, Patrick Bruel, Santiago Ramos, Silvia Abascal, Spain - ETA, Spain - fascism, Spanish, subtitled, terrorism

Related posts

The flatmate bought a shiny new dvd-harddrive-recorder thingy recently, and I have discovered that it will play at least one of my “borrowed” episodes of Veronica Mars , which is great, because the laptop won’t. But now I can still rewatch, and on the big screen of a tv as opposed to a little Pavlovian screen. Its also good news because I’ve sort of decided to put off buying a new laptop for a couple of months. I do want a shiny new one, but, they[1] do say that patience is a virtue.

Anyways, as the flatmate was out last night I recorded Desperate Housewives and so was flicking around the stations after BSG when my attention was caught by a programme on RTE about the hunger strikes in Northern Ireland.

And I was going to post something about them, and how although you have to respect their strength of conviction, it is hard to think about them without thinking about the fact that they were paramilitaries who murdered and bombed people. But I’m not going to. It is such a grey, emotive issue. But I will say that the programme was very interesting and well made, and I’ll have to remember to tune in next week for the second part.

However, am doing a bit of research into the Black and Tans for B#5 at the moment, as he is thinking of doing his special topic for the leaving Cert on them. And you know that old saying about the past repeating itself? Well, its amazing to read some of the views of the likes of Lloyd George and his views on the IRA back then. And whatever anyone says, the IRA/Volunteers of the war of independence are not the same thing as the IRA of the seventies and of today, not even close. In one article David Leeson[2] says that

The insurgency was defined as a threat to law and order. The insurgents were characterised as criminals…law and order had broken down in Ireland, threatening the conditions of civilised society. The men responsible for this breakdown were murderers, not soldiers ‘The very fact that an attempt is made to describe murder by another name, and to make excuses for it as if it were political action, must demoralise the whole life of any country where such excuses can be made’ [quoting PM Andrew Bonar Law, August 1920]

How easy would it be to replace Ireland with Iraq[3] And can’t war be described as mass murder with a political reason?

Obviously the situation in Iraq is very different to that of Ireland in the 1920’s, but I doubt very many of the Iraqi insurgents would see themselves as nothing but criminals. This doesn’t make their actions and less terrible or horrific, but wouldn’t you think that people could look at history and see that you can’t fight ideals with nothing but violence.

Well, from Desperate Housewives to suicide bombers, interesting[4] how that all happened. Feel free to ignore any of the political ramblings. We’ll get back to more interesting things by bring up Battlestar Galtactica. I mean, whats going on back on Caprica? Will Show Spoilers ▼

Linknotes:
  1. these they people are so very smart
  2. The Scum of London’s Underworld? British Recruits for the Royal Irish Constabulary, 1920-21
  3. this is not a statement saying I support the actions of those Iraqis bombing random targets. I do not. They are in the wrong.
  4. or not
Tags: 1970s, Black and Tans, BSG, history repeats, hunger strikes, insurgency, IRA, Iraq war, Ireland - 1920-21, irish history, Northern Ireland

Related posts

27
Feb

Life on Mars - season 1

   Posted by: Fence   in Moving Pictures, TV

  • John Simm - Sam
  • Philip Glenister - Gene
  • Liz White - Annie
  • Dean Andrews - Ray Carling
  • Marshall Lancaster - Chris Skelton

Image Hosted by ImageShack.usI’m not really sure why I started watching this show. The trailers made it look very poor. Some crap cop police show, only with time travel thrown in. I was half thinking it’d be The Bill meets Time Cop. Yet for some reason I tuned in. Probably because there was nothing else on on a Monday night.

And I am so glad I did. This has to be my favourite British show, in a long time, maybe ever. Though Cracker was fantastic in its day.

Read the rest of this entry »

Tags: 1970s, 8 Stars, comedy, cops, crime, Dean Andrews, excellent, Gene Hunt, John Simm, Life On Mars, Life On Mars - season 1, Liz White, Marshall Lancaster, Philip Glenister, sff, time travel

Related posts

12
Feb

Munich

   Posted by: Fence   in Moving Pictures

  • Eric Bana - Avner
  • Daniel Craig - Steve
  • Ciarán Hinds - Carl
  • Mathieu Kassovitz - Robert
  • Hanns Zischler - Hans

Based on the events that followed the terrorist attack on the Munich Olympic Games in 1972, this film has a lot of political baggage. There are those who see it as an example of anti-semitism. There are those who think it shows too much favour to the zionist cause. Whatever. Should it be examined based on topic, or on the quality of the film?

The film itself did keep my attention the whole way through. At just over 160 minutes it is a little long, but never overly so. Leaving aside the political discussions I thought the film did a good job of capturing Avner as a character. The rest of the team as less well-defined, but their roles re mosr of supporting and assisting Avner rather then as characters in their own right. That is not to say that they are uninteresting, or that they are 2D, just that their motivations and feelings are not given as much weight as Avners.

I thought that the story itself was well told; the tension surrounding the bombings/shhoting builds nicely. There is the mysterious French group to wonder about, and to help create a sense of paranoia and doubt.

As I said, their are those, on both sides, who will claim that this film is biased. But I don’t think it is. We are clearly shown the violence and random deaths portrayed by the Palestinian terrorists, we are shown the Israeli’s need to fight back and protect their home. It isn’t as though one side or the other is painted evil, though perhaps that is what some of the critics wanted?

The most telling scene in the film, for me, was the one between Avner and the PLO terrorist, where they discuss Israel. Avner, pretending to be a German socialist extremist of some description defends Israel, and its right to exist. And in the course of their discussion we see what it is that people really want. A home to call their own.

http://www.imdb.com/title/tt0408306/”>IMDb | Galactic Jack | Random Burblings | Screamer in the Matrix |

Tags: 1970s, 1972, 8 Stars, assassin, based on true story, Ciarán Hinds, Daniel Craig, drama, Eric Bana, Hanns Zischler, Mathieu Kassovitz, Munich, murder, terrorism

Related posts

31
Jan

Thou shalt not suck off rent boys

   Posted by: Fence   in TV

Have to say, I am really enjoying the BBC’s new cop shpw, Life on Mars, its all about this detective who gets hit by a car in 2006 and wakes up in 1973. So either he has gone back in time or he is in a coma and this is all a dream. Cue lots of 70’s music, fashion, and hairstyles, not to mention bent cops and un-PC attitudes, and car chases through cardboard boxes. Retro man, it is the only way to go.

I know, that doesn’t make it sound all that great, but in reality this is a really funny show, with some great characters. Personally I just love DCI Hunt; he is just horrible and yet still manages to be a good guy, just about. “You are surrounded by armed bastards”

We’ve just had episode 4, of eight, but I hear a second season in being looked at.

Also, was some miles from the city, and I noticed FM has a little Last.fm chart, so I stole the idea. But in order to make the image (right col. down the bottom) legible I had to mess a little with the layout. So if you viewing has been altered and made icky let me know, I’ll regress.

Tags: 1970s, Life On Mars

Related posts