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Paul Giamatti

The Illusionist [based on the short story] by dir. by

Default fox is the defaults - Image taken from page 40 of 'Travels in Africa during the years 1875-1878 (1879-1883-1882-1886) ... from The British Library

In Austria at the turn of the 20th century a young carpenter’s son falls in love with a girl from the local nobility. Obviously her family are not impressed by this and do their best to separate the pair, and after much drama they succeed. The young boy is Eisenheim, aka Eduard Abramovich, and at the very beginning of this

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Lady in the Water dir. by

Default fox is the defaults - Image taken from page 40 of 'Travels in Africa during the years 1875-1878 (1879-1883-1882-1886) ... from The British Library

This is an odd film. A very odd film.

Ever since The Sixth Sense Shyamalan has been known as the “twist guy” for his film endings; I don’t think that is a fair description. And while you can say that Unbreakable, Signs and The Village all had twists to their endings, the twists weren’t all that important. The films were stories about people, truth, and finding out who you are. The Lady in the water continues in this vein, but at the same time it is a very different type of film. As Shyamalan has said, it is a bedtime story. A fairy tale, for children. So it is, of course, going to be more simplistic and yet at the same time it is more complicated than that.

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Cinderella Man dir. by

Default fox is the defaults - Image taken from page 40 of 'Travels in Africa during the years 1875-1878 (1879-1883-1882-1886) ... from The British Library

– Joe Gould Based on the true story of James J Braddock. A boxing film. Set during the Depression. Consider all of these things and you may be thinking that this is a sentimental boxer-overcoming-hardship film, and, in a way you’d be right. But Cinderella Man is much, much more than that.

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